In last week’s episode of The Habit Podcast, playwright Pete Peterson suggested that every scene of a play should be either a fight, a seduction, or a negotiation. That sounds like the kind of oversimplification/generalization that couldn’t possibly stand up to scrutiny; indeed, I might add jockeying for position and forming an alliance to the list of available speech acts in dramatic or fictional dialogue. But I do think this rule of thumb is exceedingly helpful for any writer, for at least three reasons:

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